Slauson songstress Jhene Aiko embodies a perfect blend of her Afro-Asiatic roots and the chill vibe that West L.A. is known for, creating her special sound that was quite different when introduced at the time. Many are unaware of the key role that Jhene’s style played in the most recent wave of R&B coming out of L.A. and the impact beyond its borders. That style has heavily influenced the Rhythm and Blues you hear across radio airwaves today. How can you be sure of this? one might ask, However if we gather the essence of Japanese culture woven into her Afro-Native nuance, Jhene’s sultry delivery is distinguished by that heritage and the emergence of her rise amongst peers like THC, The Fisticuffs, Dom Kennedy, HitBoy,Overdoz, Kenderick Lamar, Nipsey Hussle and other West L.A. artists who’d crossed creative paths at the rise of L.A.’s dominance of today’s music scene.
Jhene’s decision to share her travels on this latest project Trip invites listeners into a vulnerable space, where she bravely expresses her struggle with depression, drugs, and transcendence toward her higher being. She performed the last leg of her national show in L.A. this past week, accompanied by a Harpist in a jungle-themed oasis against a vibrant backdrop of psychedelic visuals. Positive vibes filled the air and the surprise opening act was Willow Smith, who nailed her performance even with a scratchy talking voice after a grueling tour. The show was truly impressive and the new album Trip is well worth the listen, if nothing else to get away in one’s mind and explore a perspective that might heighten a sense of awareness.
Burn the sage and light the incense for your next bonfire, letting Magna Carda’s “Ghetto Gospel” be the soundtrack to your midnight smoke session. As clouds fill the air, imagine your puff-puff-pass riding the sound wave of Megs Kelli and Dougie Do, whose blend of rap, jazz and electronica have caught the ears of kinfolk from their hometown of Austin Texas to cities beyond. They’ve joined stages with The Pharcyde, Joey Bada$$, Oddisee and have featured on NPR radio. They are paralleled with groups like The Roots and certainly suite a Tidal station with artists like Erykah Badu or Oshun in rotation. Magna Carda is lyrical, smooth as fine wine, and in tune with frequencies that blend with Zen at any time of day.
Don’t be afraid to break out in a five-minute meditation to feed your soul some of this Magna Carda goodness morning, noon or night. It suits any occasion and can set the mood of one moment to the next- in a good way!
To experience the night with one of few Superstars who have managed to stay leveled at high altitudes was like a refreshing breath of crisp air permeating the Peppermint Club. The intimate ambiance felt like where we’d be if Keyshia Cole invited us into a plush 1960’s living room. Special guests included fellow Oakland comrads like Kamaiyah and several friends of hers who were in attendance for the evening’s listening party.
Properly titled 11:11 Reset, her newest project delves into love, life, loss and rebirth with records like “Best Friend”, “Act Right”, “Ride” (a personal fav), “Vault” (another fav) and “Emotional”. Penned in collaboration with the likes of veteran songwriters like Eric Dawkins and Rock City, a few guests on the project include Kamaiyah (whose feature is fuego!), Yung Thug, Kanye West, Remy Ma, and French Montana.
Keyshia even let us into her personal space for a moment’s time, sharing with us which songs were her favorite, what she hopes her next blessing will be, and just how sexy she’ll get for the object of her affection. From droppin’ it low and taking us high to nailing every note like the pro that she is, her groove was on point and the event might as well have had concert tickets for sale! It felt like a chill, holiday house party where strangers felt like longtime friends and season’s greetings were abundant.
Enter a new age with Keyshia by downloading 11:11 at KeyshiaCole.com