On this day of mourning for aboriginal paleo-American Asiatics of North America and their descendants (misnomered as “black/negro/colored/African-American”); and a day of “Thanksgiving” for paleo-European pilgrims and their European descendants, this historical account is to remember who we are and what this day truly represents.
The Real Story of Thanksgiving is written by NGSKS Durriyyah Bey.
TRIGGER WARNING: The truth hurts and is not for the faint of heart ~ from: #TheZer0Point
Versatile Rapper, Lyricist, and Producer Butch Yung takes us through a day-in-the-life of turning Lemons to Lemonade with his latest release “No Sleep in the Trap”.
This Audio Portrait is like that of an Ernie Barnes collectible, with production like a synesthetic pallet of sound painting a picture of daily life in the trap working cold, hungry nights for brighter days.
The Trap’s glamourized popularity is not its reality- and most certainly not for everyone.
Such a world is an Alto Sax, whispering melancholic brushstrokes of its sorrowed actuality. Signature snare patterns of its war-torn ambiance are accentuated by the intricately laced machine gun dumping that litters late nights in every hood.
Sounds of a Trench Town can be heard in the magnetic drive of this murky, eerily romantic piece where the Soul of the streets collide with pressures from the trap like rapids crashing against huge boulders, forcing Coal to create Diamonds by its very own nature.
South Cali rapper El Prez recently released his song and video for 20 Karats On The Wrist, a double entendre in its lyrics and imagery. A wavy Cali instrumental beneath a smooth flow so signature to West Coast Rap delivers his message like a double-sided coin, lending this aspirational record its character. The song teeters a tightrope between the highest of highs and lowest of lows, dreams and nightmares of reaching the top and facing the fear of failure, yet choosing to courageously climb and move mountains despite one’s obstacles. Perseverance is the only thing that sets us apart from our highest achievements, and only those willing to trust the journey succeed.
I asked El Prez to DeCypher a sentimental verse from his song Lose Some, Win Some that brought a conversation of perseverance to mind:
It sparked in me the thought of how often I come up against this idea that there should be no reason why people cannot succeed in an era of instant access to information. “Telling someone things are out there in an age where everyone should have ‘access to resources’ is not enough” says El Prez, “Kids need to be led to The Well to know it exists and that it’s there. My nephew came home one day in middle school and asked for help because the teacher had to pool money together to get supplies! When I attended that school it was never like that. But that’s how it is for kids these days, and so you have a lot of kids that might give up and block it all out, or they will switch into that other person, and we don’t want people to do that. A lot of kids don’t have a path to the Lake to drink, so they need guidance. We can complain or come up with our own solutions so we have to provide the kinds that go into action”
The astounding discrepancies in our public schools when it comes to the youth not having enough school supplies hardly makes sense, considering the ample amount of tax dollars our city collects (which should more than solve the issue), yet we barely seem to see these funds trickle down past support services in such ways that struggling communities can help themselves. However, El Prez shares a golden key to unlock Success for any one, anywhere, at any time, and it boils down to standing in the confidence of one’s destiny;
he says in his song 20 Karats on the Wrist. “The line is spoken to myself as much as everybody else. Especially in Entertainment, you find the most peace within yourself by letting things happen. Just because one person’s success is that person’s success doesn’t define what is meant to be your success. So just be yourself because when you do what you do, the opportunities will pop up when your time comes. Could take 10 years, could take 10 months but just be sure to stay prepared. Take your natural course and tap into your natural abilities to execute and deliver your best. I let my dreams fuel me, rather than getting stuck in fueling the dream and neglecting the Art whenever the business gets overwhelming. You can’t help no one else if you can’t help yourself, so it’s important to learn how to monetize your career. You don’t have to chase your audience though, because they will catch up to you. It’s good to keep a little mystique sometimes.”
Kavi’s January release is something like a HipHop story of the Archipelago. The feel of this sonic delicacy is an AkanAsiatic kiss on the lips of Island music.
Slauson songstress Jhene Aiko embodies a perfect blend of her Afro-Asiatic roots and the chill vibe that West L.A. is known for, creating her special sound that was quite different when introduced at the time.
Many are unaware of the key role that Jhene’s style played in the most recent wave of R&B coming out of L.A. and the impact beyond its borders. That style has heavily influenced the Rhythm and Blues you hear across radio airwaves today. How can you be sure of this? one might ask, However if we gather the essence of Japanese culture woven into her Afro-Native nuance, Jhene’s sultry delivery is distinguished by that heritage and the emergence of her rise amongst peers like THC, The Fisticuffs, Dom Kennedy, HitBoy,Overdoz, Kenderick Lamar, Nipsey Hussle and other West L.A. artists who’d crossed creative paths at the rise of L.A.’s dominance of today’s music scene.
Jhene’s decision to share her travels on this latest project Trip invites listeners into a vulnerable space, where she bravely expresses her struggle with depression, drugs, and transcendence toward her higher being. She performed the last leg of her national show in L.A. this past week, accompanied by a Harpist in a jungle-themed oasis against a vibrant backdrop of psychedelic visuals.
Positive vibes filled the air and the surprise opening act was Willow Smith, who nailed her performance even with a scratchy talking voice after a grueling tour. The show was truly impressive and the new album Trip is well worth the listen, if nothing else to get away in one’s mind and explore a perspective that might heighten a sense of awareness.
Jhene Aiko by Prince & Jacob for Galore via (Source: Www.BlogLovin.Com)
Burn the sage and light the incense for your next bonfire, letting Magna Carda’s “Ghetto Gospel” be the soundtrack to your midnight smoke session.
As clouds fill the air, imagine your puff-puff-pass riding the sound wave of Megs Kelli and Dougie Do, whose blend of rap, jazz and electronica have caught the ears of kinfolk from their hometown of Austin Texas to cities beyond.
They’ve joined stages with The Pharcyde, Joey Bada$$, Oddisee and have featured on NPR radio. They are paralleled with groups like The Roots and certainly suite a Tidal station with artists like Erykah Badu or Oshun in rotation. Magna Carda is lyrical, smooth as fine wine, and in tune with frequencies that blend with Zen at any time of day.
Don’t be afraid to break out in a five-minute meditation to feed your soul some of this Magna Carda goodness morning, noon or night. It suits any occasion and can set the mood of one moment to the next- in a good way!
Amerikkka documents the black experience under the thumb of American colonialism, where policy enforcement are branded as public servants whose tasks are “to protect & serve”.
The question is; protect and serve whom, what, and why?
It is today’s common knowledge that certain communities are given favorable protection over others, particularly pale-skin Europeans and those assimilated into their worlds. Wealthy citizens and areas are also prioritized, yet there happens to be a much more sinister side to law enforcement deeply rooted in oppression, thievery, indentured servitude, chattel slavery (aka “Slave Patrol”), and white supremacy.
What does it feel like to be “black in Amerikkka”? G Perico let’s you know; “Clearly it’s the law breaking the law”, he says. The South Central, L.A. rapper has established himself as one of the most promising voices in West Coast Hip Hop, bravely addressing this place we call the United States.
As Tupac’s classic words insinuate, life “Ain’t Nothin’ But a Gangsta Party”. Outside of one’s typical idea of a “gangsta”, it’s important to zero in on those rarely highlighted corporate gangsters and their gangsta cronies partying at the expense of the common folk. Consider that what may seem an entity designed to “protect & serve” (alongside other aspects of the “Justice” system) are mostly operated via persecution of the poor and from profiteering off of prisoners exploited in the Prison Industrial Complex- some of which are not truly guilty of any crime.
Such exploitation amongst officials in powerful positions and their corrupt friends ruin any “just” intention, begging the question of who the actual “gangsta” is and where the true threat lies. Who is really bullying whom and what are the benefits?
As one of three members in the rap group G-Worthy, the project features the Amerikkka single produced by League Of Starz producer Dupri. G- Perico’s reflection on existing within the confines of U.S. oppression offers insight on the feeling of life under colonial Martial Law and its rippling effects on Al Moroccans bka “Americans”.
Songs like these beg us to ask questions about how Al Morocco became Amerikkka and why it’s nearly impossible to trust a Cop no matter how much one might wish to let their guard down.
Check out Amerikkka and stay tuned for a major announcement in the near future.